- The Best of Wodehouse: An Anthology
P.G. Wodehouse (1881-1975) was perhaps the most widely acclaimed British humorist of the twentieth century. Throughout his career, he brilliantly examined the complex and idiosyncratic nature of English upper-crust society with hilarious insight and wit. The works in this volume provide a wonderful introduction to Wodehouse’s work and his unique talent for joining fantastic plots with authentic emotion.
In The Code of the Woosters, Wodehouse’s most famous duo, Bertie Wooster and his unflappable valet Jeeves, risks all to steal a cream jug. Uncle Fred in the Springtime, part of the famous Blandings Castle series, follows Uncle Fred as he attempts to ruin the Duke of Blandings while he is preoccupied with his favorite pig. Fourteen stories feature some of Wodehouse’s most memorable characters, and three autobiographical pieces provide a revealing look into Wodehouse’s life.
With his gift for hilarity and his ever-human tone, Wodehouse and his work have never felt more lively. With a New Introduction by John Mortimer
- Like Me: Confessions of a Heartland Country Singer
Chely Wright, singer, songwriter, country music star, writes in this moving, telling memoir about her life and her career; about growing up in America’s heartland, the youngest of three children; about barely remembering a time when she didn’t know she was different.
She writes about her parents, putting down roots in their twenties in the farming town of Wellsville, Kansas, Old Glory flying atop the poles on the town’s manicured lawns, and being raised to believe that hard work, honesty, and determination would take her far.
She writes of making up her mind at a young age to become a country music star, knowing then that her feelings and crushes on girls were “sinful” and hoping and praying that she would somehow be “fixed.” (“Dear God, please don’t let me be gay. I promise not to lie. I promise not to steal. I promise to always believe in you . . . Please take it away.”)
We see her, high school homecoming queen, heading out on her own at seventeen and landing a job as a featured vocalist on the Ozark Jubilee (the show that started Brenda Lee, Red Foley, and Porter Wagoner), being cast in Country Music U.S.A., doing four live shows a day, and—after only a few months in Nashville—her dream coming true, performing on the stage of the Grand Ole Opry . . .
She describes writing and singing her own songs for producers who’d discovered and recorded the likes of Reba McEntire, Shania Twain, and Toby Keith, who heard in her music something special and signed her to a record contract, releasing her first album and sending her out on the road on her first bus tour . . . She writes of sacrificing all for a shot at success that would come a couple of years later with her first hit single, “Shut Up And Drive” . . . her songs (from her fourth album, Single White Female) climbing the Billboard chart for twenty-nine weeks, hitting the #1 spot . . .
She writes about the friends she made along the way—Vince Gill, Brad Paisley, and others—writing songs, recording and touring together, some of the friendships developing into romantic attachments that did not end happily . . . Keeping the truth of who she was clutched deep inside, trying to ignore it in a world she longed to be a part of—and now was—a world in which country music stars had never been, could not be, openly gay . . .
She writes of the very real prospect of losing everything she’d worked so hard to create . . . doing her best to have a real life—her best not good enough . . .
And in the face of everything she did to keep herself afloat, she writes about how the vortex of success and hiding who she was took its toll: her life, a tangled mess she didn’t see coming, didn’t want to; and, finally, finding the guts to untangle herself from the image of the country music star she’d become, an image steeped in long-standing ideals and notions about who—and what—a country artist is, and what their fans expect them to be . . .
I am a songwriter,” she writes. “I am a singer of my songs—and I have a story to tell. As I’ve traveled this path that has delivered me to where I am today, my monument of thanks, paying honor to God, remains. I will do all I can with what I have been given . . .”
Like Me is fearless, inspiring, true.
- On Time: A Princely Life in Funk
A memoir by Morris Day of The Time centering around his lifelong relationship and association with Prince.
Brilliant composer, smooth soul singer, killer drummer, and charismatic band leader, Morris Day, has been a force in American music for the past four decades. In On Time, the renowned funkster looks back on a life of turbulence and triumph. He chronicles his creative process with an explosive prose that mirrors his intoxicating music. Morris' story is a fast-paced page-turner replete with unexpected twists and shocking surprises.
A major and fascinating theme is his lifelong friendship and years of musical partnership with Prince, from their early days on the Minneapolis scene to selling out stadiums and duking it out as rivals in Purple Rain. Eventually, Morris went on to release four albums with a new band of his very own, the legendary Time. He battled his addictions and came out victorious. But not before increasing tensions and embittered rivalry between Prince and the Revolution and Morris Day and the Time led the two performers towards separate paths. Through the years, the fierce brotherly love between Morris and Prince kept bringing them back together, over and over again-until pride, ego, and circumstance interfered. Two months before Prince's untimely death, the two finally reconnected and started to make amends. But Morris could've never imagined it would be the last time he'd ever see his friend again.
This is Morris Day's singular story in which the magic of music is the ultimate healer. On Time is also a deep meditation on friendship, Morris' poetic method of reconciling the loss of his close friend and longtime collaborator, and a way to commemorate an incendiary life cut short. But this book is more than just a walk down memory lane-it's a metaphorical means to bring Prince back to life. Throughout the narrative, Morris allows Prince's "voice" to protect his own legacy, to counter Morris's interpretations of events, and to essentially breathe new life into a tale as old as time-of two brothers, two bands, and a musical culture that even today pulsates with fresh energy.
- The Book of Understanding: Creating Your Own Path to Freedom
The path to freedom is filled with questions and uncertainty. Is it possible to truly know who we are? Do our lives have a purpose, or are we just accidental? What are we meant to contribute? What are we meant to become, to create, and to share? In The Book of Understanding, Osho, one of the most provocative thinkers of our time, challenges us to understand our world and ourselves in a new and radical way. The first step toward understanding, he says, is to question and doubt all that we have been taught to believe.
All our lives we’ve been handed so-called truths by countless others—beliefs we learned to accept without reason. It is only in questioning our beliefs, assumptions, and prejudices that we can begin to uncover our own unique voice and heal the divisions within us and without.
Once we discover our authentic self, we can embrace all aspects of the human experience—from the earthy, pleasure-loving qualities that characterize Zorba the Greek to the watchful, silent qualities of Gautam the Buddha. We can become whole and live with integrity, able to respond with creativity and compassion to the religious, political, and cultural divides that currently plague our society.
In this groundbreaking work, Osho identifies, loosens, and ultimately helps to untie the knots of fear and misunderstanding that restrict us—leaving us free to discover and create our own individual path to freedom.
- The Gargoyle
A New York Times Bestseller
The Gargoyle: the mesmerizing story of one man's descent into personal hell and his quest for salvation.
On a dark road in the middle of the night, a car plunges into a ravine. The driver survives the crash, but his injuries confine him to a hospital burn unit. There the mysterious Marianne Engel, a sculptress of grotesques, enters his life. She insists they were lovers in medieval Germany, when he was a mercenary and she was a scribe in the monastery of Engelthal. As she spins the story of their past lives together, the man's disbelief falters; soon, even the impossible can no longer be dismissed.